What is the significance of hermeneutics at the intersections of ethics, politics and the arts and humanities? In this book, George -/- - Discusses how hermeneutics offers ways to develop an ethics - Makes the case for the relevance of contemporary hermeneutics for current scholarly discussions of responsibility within continental European philosophy - Contributes a new, ethically inflected approach to current debate within post-Gadamerian hermeneutics - Extends his analysis to the practice of living and covers animals, art, literature and translation (...) -/- Few topics have received broader attention within contemporary philosophy than that of responsibility. Theodore George makes a novel case for a distinctive sense of responsibility at stake in the hermeneutical experiences of understanding and interpretation. -/- George argues for the significance of this hermeneutical responsibility in the context of our relations with things, animals and others, as well as political solidarity and the formation of solidarities through the arts, literature and translation. (shrink)

"Hans-Georg Gadamer is one of the most important philosophers of the post-1945 era. His name has become all but synonymous with the philosophical study of hermeneutics, the field concerned with theories of understanding and interpretation and laid out in his landmark book, Truth and Method. Influential not only within continental philosophy, Gadamer's thought has also made significant contributors to related fields such as religion, literary theory and education. The Gadamerian Mind is a major survey of the fundamental aspects of Gadamer's (...) thought, with contributions from leading scholars of Gadamer and hermeneutics from around the world. Thirty-eight chapters are divided into six clear parts: Overviews Key Concepts Historical Influences Contemporary Encounters Beyond Philosophy Legacies and Questions. Although Gadamer's work addresses a remarkable range of topics, careful consideration is given throughout the volume to consistent concerns that orient his thought. Important in this respect is his relation to philosophers in the Western tradition, from Plato to Heidegger. An indispensable resource for anyone studying and researching Gadamer, hermeneutics and the history of twentieth-century philosophy, The Gadamerian Mind will also be of interest to those in related disciplines such as religion, literature, political theory and education"--. (shrink)

Significant proponents of both postmodern and realistic hermeneutics suggest that our efforts to understand are better when they involve a plurality of interpretative perspectives. The author of this essay argues, however, that a realist approach can provide a more persuasive reason for this orientation toward plurality. Postmodern approaches in hermeneutics suggest that we should pursue a plurality of interpretations to help us break free from the influence of reductive interpretations inherited from the past. Yet, this normative orientation runs the risk (...) of a proliferation of interpretations that leaves us in hermeneutical isolation from one another. A realistic hermeneutics, by contrast, suggests that we should pursue a plurality of interpretations because the matters of mutual concern to us are, in and of their own reality, plural. This realistic reason to pursue a plurality of interpretations does not silo us from one another but, on the contrary, reminds us of the need for conversation that allows us to address our shared world of matters of mutual concern. (shrink)

Hermeneutics has a long tradition in the history of philosophy. It carries the task of Hermes to bring God’s message to humans and translate it without betraying it. This special issue of the journal Critical Hermeneutics proposes a double research track: veritative hermeneutics and hermeneutic realism. This double track testifies to the original purpose of hermeneutics to formulate fundamental philosophical questions in light of human historical experience. Opposed to relativism, veritative hermeneutics and hermeneutic realism focus on truth, objectivity, the structure (...) of reality, normativity, and meaning. The issue publishes contributions of this track’s pioneers (Gaspare Mura – veritative hermeneutics, Günter Figal, and Anton Friedrich Koch – hermeneutic realism) as well as authors that explore this track from various perspectives: ethics, personalism, normativity, testimony, Biblical hermeneutics and Jewish thought, religious language, meaning. In this introduction, we will first present the authors working on veritative hermeneutics, then those working on hermeneutic realism.... (shrink)

The purpose of this essay is to examine Giorgio Agamben’s important but underappreciated debts to the early German Romantics and to Hegel. While maintaining critical distance from these figures, Agamben develops crucial aspects of his approach to radical passivity with reference to them. The focus of this essay is on Agamben’s consideration of the early German Romantics’ notions of criticism and irony, Hegel’s notion of language, and the implications of this view of language for his notion of community.

The purpose of this essay is to examine Giorgio Agamben’s important but underappreciated debts to the early German Romantics and to Hegel. While maintaining critical distance from these figures, Agamben develops crucial aspects of his approach to radical passivity with reference to them. The focus of this essay is on Agamben’s consideration of the early German Romantics’ notions of criticism and irony, Hegel’s notion of language, and the implications of this view of language for his notion of community.

In the “Postscript” to his Origin of the Work of Art, Heidegger suggests that one important aim of his investigation into the relation between truth and art is to subject to scrutiny Hegel’s famous thesis on the end of art. The purpose of my essay is to contribute to this project by reexamining aspects of Hegel’s discussion of art in the Phenomenology of Spirit that appear to subvert his own thesis. Hegel’s treatment of ancient Greek drama and, specifically, some of (...) his remarks on comedy, not only bring Hegel’s claim about the end of art into question, but also lend new insights into the possibilities for the relationship between truth and art in our age. (shrink)

In the “Postscript” to his Origin of the Work of Art, Heidegger suggests that one important aim of his investigation into the relation between truth and art is to subject to scrutiny Hegel’s famous thesis on the end of art. The purpose of my essay is to contribute to this project by reexamining aspects of Hegel’s discussion of art in the Phenomenology of Spirit that appear to subvert his own thesis. Hegel’s treatment of ancient Greek drama and, specifically, some of (...) his remarks on comedy, not only bring Hegel’s claim about the end of art into question, but also lend new insights into the possibilities for the relationship between truth and art in our age. (shrink)

The author submits that while Nancy's tendency to make Occidentalist remarks cannot be denied, it is antithetical to his own conception of community that may be forged through literature. Nancy's conception actually provides a basis to critique not only Occidentalism, but any view that blinds us to the significance of cultural differences. For Nancy genuine community can only be achieved in the exposure of the other as a singular individual marked by unique cultural, historical, and existential experiences. His approach reminds (...) us that it is impossible to achieve genuine community unless we recognize and respect not only cultural differences, but differences of all kinds. It is possible, in fact, that despite some of Nancy's untenable remarks suggesting a precedence of the Occident, his concept of literary communism must be understood as a non-, or perhaps better, post-Western form of community. (shrink)

In Tragedies of Spirit, Theodore D. George engages Hegel’s Phenomenology of Spirit to explore the philosophical significance of tragedy in post-Kantian continental thought. George follows lines of inquiry originally developed by Nietzsche, Heidegger, Gadamer, and Derrida, and takes as his point of departure the concern that Hegel’s speculative philosophy forms a summit of modernity that the present historical time is called to interrogate. Yet, George argues that Hegel’s larger speculative ambitions in the Phenomenology compel him to turn to the resource (...) of tragedy in order to give voice to issues of incommensurability, discontinuity, otherness, strife, and crisis. From this standpoint, Hegel’s interest in the tragic proves to be more pervasive and to run deeper than has previously been recognized. The author shows that Hegel’s reliance upon the tragic not only stretches and tests assumptions of speculative philosophy, but also illuminates original insights into human finitude. While situating Hegel’s approach to tragedy as part of a broader response to Kant, George also contextualizes Hegel’s interest in tragedy with reference to figures in German Idealism and Romanticism, such as Schelling, Hölderlin, and Schlegel. (shrink)

Although there is much scholarship on Maurice Blanchot’s relationship to his contemporaries on the French intellectual scene, substantially less has been made of his debts to the German philosophical heritage in general, and to G. W. F. Hegel in particular. In this article, the author maintains that Blanchot’s association of literature with worklessness comprises a direct, if somewhat tacit, refusal of Hegel’s determination of art as a work of spirit. The author argues that Blanchot’s critical relation to Hegel sheds new (...) light not only on Blanchot’s conception of literature and related themes of language, but also on his view of the significance of literature as a powerful and elusive force of resistance to hegemonic and ideological programs of many kinds. (shrink)

In this article the aurhtor explores the intimate connection between the concepts of ‘health’ and ‘normality’ in the fields of medicine and mental health by discerning Foucauldian themes in Peter Shaffer’s critically acclaimed drama Equus. Shaffer’s scrutiny of the mental health field pinpoints the same issue as Foucault does in his many works on medicine and psychiatry, namely, that operating behind any concept of ‘health’ in these fields is nothing other than the notion of ‘normality.’ By looking not only to (...) the acumen of Foucault’s research and critique, but also to the depiction of Foucauldian themes in Shaffer’s compelling dramatic work, this article is able to explore the implications of the relation between ‘health’ and ‘normality’ in concrete, human terms. In Equus, the effects of psychiatric discourse are written all over the face of a disturbed, young teenager, a fact which reminds us that the human beings subjected to the mental health care profession are all too real, precariously delicate, suffering individuals. (shrink)